I’m working on a new piece for Blogcritics: why Hugh Laurie absolutely MUST get the Emmy this year. I will be highlighting specific scenes over the years, excerpting the dialogue and then what he does with the writers’ words to make them come so incredibly alive. His performance is always so real and natural it’s easy to overlook just how powerful his acting can be. So…
For example in Season one DNR when Dr. Marty comes to “pull the plug” on John Henry Giles. What’s said and what comes across are remarkably different.
What I’m asking you all for are your favorite acting scenes from six years of House. I will include as many in the article as I can without going overboard. Just name the scenes–one from each season if you can. Use the comments below to do it.
Originally published at Blogcritics magazine
t always gives me great delight to “discover” an actor. I don’t mean in the Hollywood sense (because I’m not an agent or producer, nor do I have any clout whatsoever), but “discover” in the sense that I’ve not really ever heard of the guy before. It happens to us all, I think. You see a film and something in the actor’s performance or looks (or both) touches you in a way that makes you want to see more of what he’s done. For me, it’s always a soulfulness that seems to lurk about the eyes and expression. (See Reflections of a Recidivist Fangirl.) Then, wham. I just have a need to find out who the guy is and what else he’s done and find out what I’ve been missing. All I can say is, “Thank God for Google!”
My latest “discovery” is Stephen Dillane, the brilliant British (you knew I was going to say that, didn’t you?) stage and film actor. Most recently, Dillane played Thomas Jefferson in HBO’s John Adams miniseries. It didn’t hurt that he played my favorite Founding Father exactly as I had always imagined him: an enigmatic intellectual, at once fiery and guarded; eloquent and shy. I was immediately hooked. Who wouldn’t be? It was a terrific performance, right down to his accent, which began as slightly Gaelic, but as Jefferson aged over the course of some 50 years, so did the accent – to more of a relaxed “southern” drawl. Nice touch.
I was delighted to find out that Dillane is starring in not one, but two forthcoming films, bookending the month of May. Later this week, Dillane opens in Fugitive Pieces, a film about a boy rescued from the horrors of the Holocaust, who now, as an adult (played by Dillane), is haunted by his childhood memories. It is written and and directed by Jeremy Podeswa, and based on the novel by Canadian poet Anne Michaels. I’m looking forward to reviewing that film for Blogcritics when it opens.
Dillane also stars with Julianne Moore in Savage Grace, (opening May 30) based on the controversial life of the Bakeland family (who invented “Bakelite“). Both films look intriguing, dark, and serious. Can’t wait. Later this year, Dillane will appear as Charlemagne in the film Love and Virtue which takes on the French epic poem The Song of Roland. So lots of things coming up for us newbie fans of Mr. Stephen Dillane.
Dillane is an accomplished stage actor, having recently performed a one-man rendition of Macbeth in London, and whose Hamlet (also in London) has been considered amongst the best. He has won major stage awards, including a Tony (for Leading Actor) in 2000 for Tom Stoppard’s The Real Thing. But unless you want to dig through YouTube (yeah, I’ve done it) for snippets, you’ll have to stick to film and television DVDs to catch up with Dillane’s works. And lucky for us, there are quite a few.
I am slowly digging my way through his film oeuvre, so here are a couple of suggestions to start:
Welcome to Sarajevo is based on the true story of a British journalist who, in an act of impulsive bravery, rescues a young girl from the hell of early 1990s Bosnia. Dillane, as the journalist is wonderful at expressing the world-weariness of the protagonist Michael Henderson. The story is intense, and at times nearly unbearable for its tragedy. Woody Harrelson gives a disarming and surprising performance as Dillane’s American colleague. It’s a great and serious film.
Déjà Vu is about as romantic a film as possible. Not a chick flick by any means, Déjà Vu is a story of love lost and rediscovered; of destiny and soul mates. It’s gorgeously shot with Henry Jaglom’s signature realism (despite the fact that the film has strong supernatural overtones), with much of the dialogue improvised from rough sketches and notes. Dillane is fantastic as an English painter drawn hopelessly to an American designer, whom he encounters in a series of coincidence meetings. She is equally drawn to him, although they are both tied to other partners. Terrific supporting performances by Vanessa Redgrave and Noel Harrison (anyone remember him from the old ’60s series The Man From UNCLE?).
I look forward to many months of catching up on my new discovery! And I’m open to suggestions.
Thomas Jefferson in “John Adams” is played by the very brilliant (and quite easy on the eyes) British actor Stephen Dillane. As many of you have probably guessed, I have a penchant for actors from the other side of the pond. Among my favorites are Ralph Fiennes, Timothy Dalton, Alan Rickman, Jeremy Northam (wasn’t he fabulous tonight in The Tudors?) and of course Hugh Laurie.
Stephen Dillane was marvellous as Jefferson, a quiet and intense intelligence poured from his eyes, as he body language suggested a shyness and reticence. And those lovely 18th century clothes!
Anyway, Dillane is about to appear in two new films: Fugitive Pieces (I will be reviewing this one for Blogcritics officially later this week.) and a film about the family who invented Bakelite (the name of the film escapes me for the moment), but I’ll be reviewing that as well, once it’s released and I’ve seen it.
For you newbies (like me) to Mr. Dillane’s work, may I suggest the following for starters: “Welcome to Sarajevo” (he plays a brave British journalist) and “Deja Vu” in which he plays an artist/architect (it’s a great romance).
Anyway, more on Dillane in the days and weeks to come.